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I coined the term “subtle habitat” to describe a kind of artwork.
I used “habitat” to mean “places” and “subjects.”
By “places,” I mean a space like a room, a forest, or a city.
By “subjects,” I mean the stories associated with those spaces.
To create a “subtle habitat” is to work on these two levels, revealing non-obvious emotions and thoughts.
A “subtle habitat” is a system of components.
The components are elements of the whole and, at the same time, independent works of art. Because of this dual nature, but not limited to this quality, I called the components “unstable components.”