This page is part of the portfolio archive. For the latest and most up-to-date entries, please visit the Portfolio Latest Updates .
This work explores the human self-domestication hypothesis, focusing on search engine semantics and online research related to aggressivity.
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©VFMarrese, “People also ask”, photo by Sanford Wintersberger
Format: time-based art
Subject: Human Self Domestication Hypothesis, Search Engine Semantics, Google Search Results, People Also Ask
Venue: Poropati, Berlin, Germany
Context: How long is forever #13, featuring Saddiq Abubakar, Künstler, Künstlerin
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Artwork Body’s Law re-enactment with variations, performed three times
"Body’s Law" explores the social transition from incarceration to integration into society. This was a re-enactment in Bergen, Norway.
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©VFMarrese, “Body’s Law”, photo by Bjarte Bjørkum
Format: time-based art, sound art
Subject: Body’s Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body’s Movement
Venue: Grand Hotel Terminus, Bergen, Norway
Context: PAB Performance Art Bergen Open
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Artwork Strike re-enactment with variations
This work explores the gamification of warfare and its relationship to children. This was a re-enactment in Novi Sad, Serbia.
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©VFMarrese, “Strike”, I publish, with the permission of his parents, the photo with the child. I don’t share the name for privacy reasons. I’m fully thankful for his participation
Format: time-based art, participatory art
Subject: Gamification of Warfare, War and Children, Toy Drones, Drones in War
Venue: Gallery SULUV, Novi Sad, Serbia
Context: IMAF International Multimedial Art Festival
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"Body’s Law" explores the social transition from incarceration to integration into society. This was a re-enactment in Turin, Italy.
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©VFMarrese, “Body’s Law”, photo by Emanuele Pensavalle
Format: time-based art, sound art
Subject: Body’s Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body’s Movement
Venue: Teatro Espace, Turin, Italy
Context: Moving Bodies - Butoh & Live Art Festival, Roseness 1959-2019
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This work explores the gamification of warfare and its relationship to children. This was the première in Leipzig, Germany.
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©VFMarrese, “Strike”, I publish, with the permission of his parents, the photo with the child. I don’t share the name for privacy reasons. I’m fully thankful for his participation, photo by Patricia Thomas
Format: time-based art, participatory art
Subject: Gamification of Warfare, War and Children, Toy Drones, Drones in War
Venue: Projektwohnung „krudebude“, Leipzig, Germany
Context: Spieltrieb
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“Suspended Sentence” addresses colonialism, pollution, and exotic plants, often within botanical gardens.
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©VFMarrese, “Suspended Sentence”
Format: time-based art, sound art
Subject: Colonialism in Art, Botanical Gardens, Exotic Plants, Sound Mapping, Pollution Reflection, Environmental Concerns
Venue: Parco della Nave – Fattoria della Nave, Cicogna, Terranuova Bracciolini, Arezzo, Italy
Context: Vital Signs, curated by Pia Cruzalegui
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Artwork Body’s Law re-enactment with variations, performed three times
"Body’s Law" explores the social transition from incarceration to integration into society. This was a re-enactment in Prague, Czech Republic.
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©VFMarrese, “Body’s Law”
Format: time-based art, sound art
Subject: Body’s Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body’s Movement
Venue: Cross Attic — place for interdisciplinary experiments in performing arts, Prague, Czech Republic
Context: Festival Žižkovská Noc, theatre and literature section, curated by Petr Dlouhý
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"Body’s Law" explores the social transition from incarceration to integration into society. This was a re-enactment Dhaka, Bangladesh.
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©VFMarrese, “Body’s Law”, photo by Nowsher Roman
Format: time-based art, sound art
Subject: Body’s Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body’s Movement
Venue: Charukola Institute – FFA Faculty of Fine Arts University of Dhaka, Dhaka, Bangladesh
Context: D’Lab | Dhaka Live Art Biennale
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“Pull it Down” explores the artistic idea of using technology to innovate the regulation of body movements.
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©VFMarrese, “Pull it Down” (“Put it Down”), photo by István Kovács
Format: time-based art, sound art
Subject: Technology in Art, Body’s Movements, Taser Weapon, Police Weaponry, Biological Reactions, Body Control, Law Enforcement Technology
Venue: Soulkostel, Vernéřovice, Náchod, Hradec Králové, Czech Republic
Context: Wärmflasche, curated by Antonín Brinda
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"Body’s Law" explores the social transition from incarceration to integration into society. This was a re-enactment in Kyiv, Ukraine.
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©VFMarrese, “Body’s Law”
Format: time-based art, sound art
Subject: Body’s Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body’s Movement
Venue: Art residence Carbon, Kyiv, Ukraine
Context: Carbonarium - International Performance Art Festival in Kyiv
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"Body’s Law" explores the social transition from incarceration to integration into society. This was a re-enactment in Minsk, Belarus.
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©VFMarrese, “Body’s Law”, photo by Performensk Festival
Format: time-based art, sound art
Subject: Body’s Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body’s Movement
Venue: CCK - Cultural Center Korpus, Minsk, Belarus
Context: Performensk - international festival of performative art in Belarus
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"Body’s Law" explores the social transition from incarceration to integration into society. This was the première in Riga, Latvia.
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©VFMarrese, “Body’s Law”, photo by Luchana Logina
Format: time-based art, sound art
Subject: Body’s Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body’s Movement
Venue: KKc - Kañepes Kultūras centrs, Riga, Latvia
Context: Rīga Performance Festival: Starptelpa
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"Body’s Law" explores the social transition from incarceration to integration into society. This was a sneak preview in London, United Kingdom.
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©VFMarrese, “Body’s Law”, photo by Linda Salvadori
Format: time-based art, sound art
Subject: Body’s Transition, Social State of Transition, Reintegration, Detention to Society, Control on Body’s Movement
Venue: Battersea Arts Centre, London, England, United Kingdom
Context: Freshly Scratched
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“Across the Body” investigates the drawing and disappearance of artwork perceived as objects. This was a re-enactment in Lucca, Italy.
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©VFMarrese, “Across the Body”, photo by Linda Salvadori
Format: time-based art
Subject: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
Venue: Biblioteca Civica Agorà, Lucca, Italy
Context: XFORMEET.IT 2017 – Performers meeting Italia – Incontro nazionale autogestito della Performance italiana, curated by Collettivo Superazione
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“Across the Body” investigates the drawing and disappearance of artwork perceived as objects. This was a re-enactment in Bergen, Norway.
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©VFMarrese, “Across the Body”, photo by Linda Salvadori
Format: time-based art
Subject: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
Venue: Vaskerelven 8 – former location of the Bergen Academy of Art and Design, Bergen, Norway
Context: PAB Performance Art Bergen Open, artistic director Rita Marhaug
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“Across the Body” investigates the drawing and disappearance of artwork perceived as objects. This was a re-enactment in Prato, Italy.
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©VFMarrese, “Across the Body”, photo by Linda Salvadori
Format: time-based art
Subject: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
Venue: Officina Giovani - Cantieri Culturali – former slaughterhouse — former refrigerating rooms, Prato, Italy
Context: On Stage Teatro
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“Across the Body” investigates the drawing and disappearance of artwork perceived as objects. This was a re-enactment in Firenze, Italy.
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©VFMarrese, “Across the Body”, photo by Vittoria Maria Mattioli
Format: time-based art
Subject: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
Venue: La Polveriera - Spazio Comune, former convent of Sant’Apollonia — cloister, Firenze, Italy
Context: Lungo il corpo, Inchiostri Ribelli, Tattoo & Riot Arts Festival
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“Across the Body” investigates the drawing and disappearance of artwork perceived as objects. This was a re-enactment in Berlin, Germany.
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©VFMarrese, “Across the Body”
Format: time-based art
Subject: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
Venue: Kesselhaus of Marzahn, Berlin, Germany
Context: At the vernissage for Birgitta Heinrichs’ exhibition, “Der Raum zwischen dem Immateriellen und dem Materiellen” (The Space Between the Immaterial and the Material)
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“Across the Body” investigates the drawing and disappearance of artwork perceived as objects. This was a re-enactment in Pistoia, Italy.
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©VFMarrese, “Across the Body”, photo by Alberto Frosini
Format: time-based art
Subject: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
Venue: Luigi Tronci Foundation, Pistoia, Italy
Context: Dritto al Cuore Festival, curated by Jacopo Belli and Elena Vannucci
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“Across the Body” investigates the drawing and disappearance of artwork perceived as objects. This was the première in Campi Bisenzio, Firenze, Italy.
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©VFMarrese, “Across the Body”, photo by Vittoria Maria Mattioli
Format: time-based art
Subject: Artwork Concept, Drawing Art, Disappearing Art, Western Art History, Immaterial Art, Dematerialization of Art, Art and Ordinary Life
Venue: Villa Montalvo – former orangerie, Campi Bisenzio, Firenze, Italy
Context: Discordanze Festival, curated by Luigi Guarnieri
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This concludes the portfolio archive. For the latest and most up-to-date entries, please visit the Portfolio Latest Updates .